I’m curious, what games influenced your design decisions when building out the combat system in Sifu? What you seem to be doing reminds me a bit of what Jet Li tried to create with Rise to Honor back in the early 2000s and the fluid combat found in Batman: Arkham Asylum. Video games have a long history of trying to capture the kinetic feel of hand-to-hand combat in games. I’m fascinated by the game’s combat system. We are especially fond of martial arts action movies, both old-school and contemporary. Many colleagues in the Sloclap team are passionate about kung fu and martial arts in general. Layani: There are three types of inspirations for Sifu on my side a lot of martial arts and kung fu movies the Pak Mei kung fu style I practice and all the cultural aspects associated with it and other video games-mainly character action games like God Hand or Metal Gear Rising. So in terms of controls and fighting mechanics, we needed to make it more accessible, more direct to execute for the players so they can follow the sustained rhythm given by the game and obtain the dynamism we wanted to achieve.
SIFU KUNG FU HOW TO
It was balanced with more complexity on how to defend and attack well, with a directional parry, different stances, or the gold attack timing for instance.įor Sifu, the goal was to recreate what we can see in martial art movies, with a more agile character and a lot more different actions available. Sifu relies a lot on what we’ve done during Absolver, but the two games have quite different goals in terms of combat design and controls.Ībsolver was mainly made for 1v1 PvP, the combat was more static with a locked camera and no traversal. Jordan Layani, Sloclap Co-Founder, Sifu Creative Director, Game & Level Design Lead: Absolver was our first game, we had to do everything from scratch. What lessons learned during the creation of Absolver were applied to the fighting mechanics and controls used for Sifu? When Absolver came out in 2017, it impressed a lot of critics with an approach to combat that was fluid and dynamic. We chatted with the Paris-based development team about the game’s inspiration, the evolution of the studio’s praise-worthy combat system, and its many influences from movies to video games. The result is a game steeped in praise, earning near-perfect review scores from a plethora of publications. In Sifu, Sloclap’s much-anticipated second title, the choreographic combat of Absolver is honed through the mastery of the real-world techniques of Pak Mei kung fu, and the game is given both a compelling revenge storyline and creative aging mechanic that balances out that liquid-smooth combat with a compelling cost to in-game failure. In just seven years and two games, Sloclap has minted a name for itself as a studio that manages to almost magically capture the flow and essence of hand-to-hand combat in a video game.Ībsolver, released in 2017, delivered poetic, fluid, dynamic choreography in the studio’s debut effort, making good on the game’s taglines that combat is a dance and movement is your weapon.
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